This is a wonderful taro-patch solo written by the legendary Slack Key guitarist, Leonard Kwan. ʻOpihi Moemoe became famous as a guitar piece when Chet Akins recorded it back in the day. For many standard tuning players, this piece (and its Open G sound) was their introduction to Slack Key. Check it out! It has a great rhythm and feel.… Read More


This original composition first appeared, with bass and drums, on my 1986 album, “Sweet Maui Moon”. It’s a great piece to play. On the attached recording, I overdubbed a second guitar part and added drums and bass. In Taro Patch in G and C.… Read More


Manu Kai is played solo on the steel string guitar in taro patch tuning. I use my trademark “hammer-on” and “pull-off” ornaments, including discordant notes that are not heard directly but are played for a percussive effect. According to George Winston and Dancing Cat records, this was the first time these types of ornaments were recorded in this tuning.… Read More


Ka Makani ʻUlaʻula is an original piece that I composed for the “red wind” of our home near the little town of Kamuela, Hawaiʻi. Learn this piece in Modified Taro Patch (DGDGBE).… Read More


Kolowaka is a beautiful lullaby type piece in my signature nahenahe (soft and gentle) style, exploring the idea of theme and variation. I wrote it for my students as a kind of etude. Simple on the surface, it opens up a lot of possibilities for growth and for playing one’s own variations.… Read More


kbeamer.com > Instruction > Beginning Realm > This Lesson In this fourth exercise, the notes themselves are a little more difficult than those of the previous exercises. Try to play smoothly and evenly, connecting the individual notes to each other. Here is my tablature for Exercise #4. Take a moment to print this Tab from your printer, then compare the… Read More


kbeamer.com > Instruction > Beginning Realm > This Lesson This third exercise uses eighth, quarter and half notes. It’s best to count eighth notes, as they have the smallest value. Try to play smoothly and evenly, connecting the individual notes to each other. Here is my tablature for Exercise #3. Take a moment to print this Tab from your printer,… Read More


kbeamer.com > Instruction > Beginning Realm > This Lesson In this second exercise, the first measure is incomplete, because it doesn’t contain four beats. It is called a “pick up” bar. In this case the pick up is an eighth note. Count the entire first measure, but play on the last eighth note only. (Play on the Blink – one… Read More


kbeamer.com > Instruction > Beginning Realm > This Lesson It’s best to go through a couple of Tablature exercises before attempting a complete piece of music. If you ease into the Tablature system, it’s a far more pleasant experience. What you don’t want to do is wrestle with something way too difficult that could end in frustration and the unfortunate… Read More


kbeamer.com > Instruction > Beginning Realm > This Lesson The Taro Patch tuning or ‘G’ Tuning is a favorite of many Slack Key Artists as its timbre and flexibility are remarkable. Taro patch is based on a G Major chord structure. If you are just beginning with us and coming from another guitar style, you might want to begin by:… Read More